"I no longer fight the feeling of entering my studio to “reinvent the wheel”. Reinvention happens all the time with new ideas both physical and mental."
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| Drawn to the Center |
What theme or ideas are reoccurring in your work?
My work is a partnership and opportunity for me between my materials and the woven organic forms created.
The interpretation of material has always
been a challenge and my focus.
Finding
materials that I could shape and control to get the forms I wanted is an
ongoing pursuit.
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| Tower Swirl |
When I was first introduced
to the fiber world, it came from two different perspectives.
At San Diego State University, in 1971, Joan Austin was beginning to show the importance of sculptural fiber. We used basic basketry and off loom techniques, to develop three dimensional ideas that were not to be functional. I was also very interested in textile design and silk screening of fabrics.
The other view was from Misti Washington, a wonderful basket weaver that shared her home and ideas on natural fibers and traditional basketry. It was the beginning for me to explore the natural materials that were so abundant in my own environment.
It was a good time to be experimenting in fiber, as the field was being developed and appreciated. After doing many, many functional baskets that were sold in stores, I was able to develop ideas towards a sculptural vision.
At San Diego State University, in 1971, Joan Austin was beginning to show the importance of sculptural fiber. We used basic basketry and off loom techniques, to develop three dimensional ideas that were not to be functional. I was also very interested in textile design and silk screening of fabrics.
The other view was from Misti Washington, a wonderful basket weaver that shared her home and ideas on natural fibers and traditional basketry. It was the beginning for me to explore the natural materials that were so abundant in my own environment.
It was a good time to be experimenting in fiber, as the field was being developed and appreciated. After doing many, many functional baskets that were sold in stores, I was able to develop ideas towards a sculptural vision.
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| Crimson Strata |
What about the medium of fiber appeals to you?
Date palm
seed stalk became my material of choice.
Available to harvest in the area, it allowed me to weave on a larger
scale. Over time I have searched to
find a way to introduce color with the earth tone hues I have from nature. Painting canvas and twining it along with the
natural materials has been a great evolution for my work. I could still use the date palm in its
natural state and use acrylics to voice another layer in my weaving.
Who would you like to critique your work?
An important
part of my development in how to critique and view my work came from
collaborative meetings with both Dave Davis and Don Weeke. It is such an amazing experience when you
come together with artists that are at a similar level to your work and
have equivalent appreciation to nature
and it possibilities. We’d choose an
inspirational word and weave our own interpretation using our own
techniques. We would then come together
to meet and critique. It is very
important for me to be comfortable with those that critique my work and that I
have a mutual respect for. This was an invigorating environment helping me to develop my own voice
with my weaving. It lasted more than 10
years and sadly ended when Dave passed away.
I still count on Don to help me from time to time with his invaluable
point of view.
What are your creative challenges?
I am often
not sure how to verbalize the feelings and pleasures I receive from the actual
doing of my art. It is both satisfying
and challenging and I feel lucky to continue to weave.
I no longer fight the feeling of entering my studio to “reinvent the wheel”. Reinvention happens all the time with new ideas both physical and mental.
I no longer fight the feeling of entering my studio to “reinvent the wheel”. Reinvention happens all the time with new ideas both physical and mental.
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